Alpenglow Installation

How does an abstract painter can see fields of color? This room is filled with one color, which represents “the alpine glow on the mountains.” Here the viewer is saturated with red, as the viewer moves through red balloons filled to the ceiling; they are able to search the room for the abstract mountain paintings. Because of the moveable bits of red color (the balloons), the viewer will start to see wild compositions of red and art on the wall, or half of another viewers face amid the moveable bits of color. It is as if you are inside the color red, as you experience what it feels like to be next to a large mountain spread with the red alpine glow. Femme Fatales of the North, New Hampshire

https://www.youtube.com/watch?v=a9FZZdNau5w

New Hampshire Coverage of the Mural at Settler's Green

I was a featured artists as a commissioned artists for the New area of the beautiful outside Settler's Green mall.

Photo session with the Famous, Lori Pedrick for her piece Growing up Girl

Lori is an up and coming photographer, who works with body images. Watch for her!

Her work on Grow Up Girl is exortdinary and worth a look.

Conway Daily Sun Article -April 28, 2017 (five page article) "FEMME FATALES OF THE NORTH: DANGER! WOMEN! ART"

Kristen Pobatschnig (left) and Rebecca Klementovich are the art collaborative "Femme Fatales of the North." (JAMIE GEMMITI PHOTO)CONWAY — Women, mountains, danger. Such were the images that abstract painters Kristen Pobatschnig and Rebecca Klementovich hoped to bring to mind by naming their collaboration, "Femme Fatales of the North."

The evocative title seemed to work, with their work being highlighted on WMUR's "New Hampshire Chronicle" and in the May issue of New Hampshire Magazine with a story called "Remarkable Women 2017: Artists to Watch."

The collaboration began shortly after Pobatschnig, 32, of Conway first visited Klementovich, 47, at her Bartlett home.

Woman to Watch 2017

Femme Fatales Made the list in the New Hampshire Magazine, April Issue

Youtube vid of the Chronicle Interview March 2017 of the Femme Fatales

https://www.youtube.com/watch?v=-7pVtOYMP1Y&t=126s

Illegal Visit to Hans Hofmann's Drawing School at the Cape

Hans Hofmann is considered by many critics to have been the greatest and most influential teacher of art in America in this century. Hans taught his Push and Pull theory in Providence, Mass at the Hawthorne school. Hofmann’s influence as an abstract teacher touched all artist who were part of the New York Expressionism movement.

 

In 1979 the barn was listed on the National Register of Historic Places and is on Miller Hill Road, has an impressive view of town.The location of this relic  you didn’t hear from me, but is worth the visit. The property is now privately owned.

In Recognition to Hunter S Thompson

 

Many women are in love with Brad Pitt, Chris Hemsworth, or Christian Bale. But myself, I’m infatuated with Hunter S. Thompson and his nonfiction book, Fear and Loathing in Las Vegas. Hunter S. had his own brand of Gonzo journalism, wherein reporters become the main character of the stories they’re reporting–and often travel to what Hunter called The Edge. “There is no honest way to explain The Edge,” he once wrote, “because the only people who really know where it is are the ones who have gone over.”

In recognition of Hunter S Thompson’s imaginative genius, I dedicate this photo (yes, that’s me shooting an abstract painting) to those still waiting to go over The Edge. Come join us. You have nothing to lose but your remote control channel flickers.

White Walls Turn to Walls of Snow

5,000 Mile Studio Space in the Forest

New Hampshire is no “Plain Jane”,

when it comes to views. That is why painting inside the 5,000 miles of forests, starting from New Hampshire including Canada, makes this area a phenomenal studio space. Yes, an outside studio space that replaces the comforts of the traditional white walls as a place to paint is at times impractical due to the weather. But, lady inspiration is not always convenient. The photographer is Joe Klementovich, my brother who has known me my whole life, and can connect to the vastness of this state and understands modern work. He has worked with some of the most extinct parts of nature in the area. We both want to show what this state can elevate to in the name of art.