Argentine Tango and how dance affects Brush Strokes

A few years back, in midtown Manhattan, I was taking tango lessons from Musa. What I learned from dancing was- it is a lot like painting. When you push the floor with your feet, it is the same movement of the pushing of the brush against the canvas. They both use friction to make the movement.

Kline was painter. He understood movement. You can see by the energy in his work, he took huge chances with his brush strokes. His massive strokes of paint must have been done with a forty five dollar large brush that would later take an hour to clean.

Here in this tango video, Musa and I must have danced a good 400 hours to get to the quality of these dance steps. The small circles of movement by the toes, the tango wraps, the kicks and the WALK are all brush strokes in my world. Pushing, sweeping, gliding, and listening are the elements for not a good brush stroke but a fantastic brush stroke. The same for the dance step, you can take a halfhearted step or you can take a large, broad step. It is in the detail of quality of the movement.

https://www.youtube.com/watch?v=nb945h6JfSs

To watch Tango as spoken in the blub find it from the above link.

 

Motherwell, Klementovich, Pobatschnig

Motherwell, Klementovich, Pobatschnig

When you enter Jeannie Motherwell’s studio, the large expansive abstract paintings

really grab your attention. She grew up in a home of abstract painting with the influences of her father, Robert Motherwell and step mom Helen Frankenthaler.  Yet her own work is strong and bold with rich dark colors and a splash of cadmium brights.

Her own artist’s statement says this, “I am amazed by the images and mysteries of creation — like the oceans and skies in changing weather, Hubble-type images of the universe, and my own physicality during the painting process.” When you see her work, it feels oceanic. It is true, Kristen and I can contest the ocean feel of her work.

Our visit to Motherwell’s studio was inspiring as you can see her raw talent and perseverance. Jeannie, told us that Helen Frankenthaler never put being a women as an obstacle she just painted, and kept at it.

We send a special thanks to Jeannie Motherwell for being an abstract artist and showing the way.